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by WAKING THINGS

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1.
Too bold, too brave, you're walking a thin line. White lines shown on your hands and worn on your face. Down streets that I don't remember back home and have yet to go. I have forget to be the person I haven't met, yet and I have yet to meet you for a time and tried to forget.
2.
Down Below 03:26
Here we are! Skin and bones! Who we are when we are down below. Break it off or let it go, who we are when we are down below. Are we fine? How could I know? It's hard to tell when we're both down below. Break it off or let it go In your arms I'm sinking down below. Break it off or let it go here we are I'm sinking down below. Break it off or let it show, skin and bones!
3.
We speak freely far to easy Not to compare but to bury. Drowning voices sinking stories Afraid to follow what separates us from the unknown You know it's all for show Circuits and firing lines miles and miles of circuits and glass Define miles and miles of... Automatically conditioned but that doesn't mean we shouldn't try If we were told to breathe we wouldn't listen Dismissed as another way to die
4.
Ok/No 04:40
Logging hours. medically I shouldn't bend my spine this way But all is fair when you've got no guts blood pumping more than to your veins Place your bets on cigarettes and coffee leaving you with more than a stain that is of course you manage to make it that far. Utilities are running high from the bullshit lines I've made along the way There must be more constructive ways To keep my idol thoughts at bay So tell me all your favorite things and maybe they'll match mine Tell me all your favorite things and tell me i should leave all mine behind I know we shouldn't be alone
5.
I'm so serious that i don't give a fuck about your end of the world Is it so? Then make it what you will I bet it's easy being so naive and holding onto holding on If this is the end then i got all dressed up for nothing If this the end we're better off dead Can't you see your answer is too convenient for me so I'll take mine and you take yours Not that different from the day before We're severing ties and tying up loose ends Scores of regret and letters that we didn't send I bet it's easy being so naive and holding onto holding on If this is the end then i got all dressed up for nothing If this the end we're better off dead The messes we made are mistakes that you take to the grave At the very least make up your bed
6.
God is man playing with nails to sew up seams and love unrequited exists, but between you and me the idea that nothing lasts forever appeals and intervenes between my thoughts of giving up on you or god damn, the last words that i sing. Bait for easy wars on your own terms. Words, one-sided walls. Spun jealous to concern. Yourself, a mental image to preserve a house, not a home you can't live there alone. Yet we age on the split and live for the spurn. I miss my ghost friends most of all. Your stories are ten stories tall. Elaborate windowless walls. I miss my ghost friends most of all. You built these walls for a crutch, it's unnerving with purpose a social stigma won't sway a breeze, You built these walls for a crutch, it's unnerving with purpose a social stigma. Knuckles to knees. God is man playing with nails to sew up seams and love unrequited exists, but between you and me I miss my ghost friends most of all. Your stories are ten stories tall. Elaborate windowless walls. I miss my ghost friends most of all.
7.
Backbone 04:56
Backbone? It takes one to know one. Your headstone is buried behind the yard. For all intents and purposes, we'll say you didn't know how your self-inflicted, rattled bones kept others down below. Naturally, it's easier to kill a singing song then digging up your self-control. an untamed lion all for show. I was born to bare your passive teeth, but didn't last for long. If i refuse to bury all i've ever seemed to say does lion's pride seem justified and carried to the grave? Or do the bones of all the singing crows develop to your taste? Backbone? It takes one to know one.
8.
Meal 01:26
You've got to pick yourself up off the floor. No one to do it for you. To avoid the knives that carve through you so easy. They'll make a meal out of you for me. They'll eat you alive.
9.
Pretend 04:18
I like to pretend the lights are the veins of a city that's sick. I like to pretend the beast is swimming under the blue. I like to pretend that i'm invisible to avoid nervous thoughts between me and you. Isn't it better not knowing? Nothing at all... I wore words like a badge and hung up ghosts for show so I could pretend that I had when I needed it and if everyone else could believe I'm invincibly sure, then I can pretend that I don't need words or ghosts anymore. Isn't it better not knowing? Nothing at all, you're nothing at all. Making up makes me sick, but so does being alone. So I'll make it up as I go. Sure enough, you're a thought, you're just intangible too. No need to avoid nervous thoughts between me and you. Isn't it better not knowing? Nothing at all, you're nothing at all.
10.
When you hit first, my arms are heavy far too weak to fight you. I may take swings, useless, you'll have your way as you do. Yes, you'll have your way, just like you always do. Happiness is lived, it isn't said. When I hit first, I swore it'd be the last time I would end you and it's so sweet when you cower at the gun bought to defend you. Happiness is lived, it isn't said. With our last kiss, I pulled it off and set it on the bedside. I stole your car in hopes of happy homes along the west coast. Searching for a better place to hide. If i can this would finally be the last time.

about

It took us a lot of hard work and trials to complete this album which is an amalgamation of music styles with the common "rock" thread interweaving throughout.

What started as a potential sequel to our debut album, we slowly morphed this record into something similar, but refreshing for us. We tapped into our most inherent wants and displayed all of our ghosts and skeletons. These songs represent the desire for perfection, the inability to compromise, the heartache of miscommunication and most importantly the importance of forgiving yourself.

We started recording May 2nd, 2016 and officially released this on December 10th, 2016. That's 7 and 1/2 months of personal trials, tour, shows, and so much more.

We as a group live for making music. But it's also more than that. We live to make, perform, share and discuss, not just music, but the lives we live. And in hoping you'll hear this album, you may find something that we share.

credits

released December 10, 2016

We would like to thank our friends and loved ones for their support: Andrew “Brooksie” Brooks, Ben Mills, Brianna Bougher, Brian & Bri Freeman, Cody McCann, Colin Willson, Cristina Gomez, Daniel Dagris, Ebonni Daniels, Ian Lowery, Jason Ray, Johanna Spencer, Kristen Graham, Mark Gersten, Marla Eizik, Royce Thompson, Teresa Chadwick, Angelo Francisco Rodriguez & Sophia Bassett, Jerry Lozano & Gloria Martinez

Photography by Royce Thompson
Art by Matt Harvey

Recorded, Mixed and Mastered by Matt Chadwick and Waking Things at Sinking House Studios.

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WAKING THINGS Seattle, Washington

"...their penchant for passionate vocal performances, perky instrumentation, and iridescent melodies have kept them one of Seattle’s must-know artists of the modern era." - Northwest Music Scene

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